Publications

(2024). No such thing as a free movie? Cross-country evidence on the potential impact of AVOD streaming services. Journal of Cultural Economics, epub ahead of print.

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(2024). Coagents as intermediaries in the book industry. Poetics, 102, 101867.

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(2023). Choosing an economics principles textbook: A perspective on the CORE project. Advances in Economics Education, 2(2), 163–178.

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(2023). Don’t Look Back? Backward Compatibility in the Video Gaming Industry. Strategy Science, 8(3), 323-404.

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(2023). Netflix chills and revamps its viewing metrics: Preliminary analysis and opportunities for research. Poetics, 96, 101738.

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(2023). Psychological momentum among non-experts: Evidence from club golfers Authors. Journal of Behavioral and Experimental Economics, 104, 102016.

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(2022). Survey evidence on the impact of COVID-19 on Australian musicians and implications for policy. International Journal of Cultural Policy, 28(2), 166-186.

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(2021). It takes two, baby! Feature artist collaborations and streaming demand for music. Journal of Cultural Economics, 45(3), 385-408.

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(2021). Should subscription-based content creators display their earnings on crowdfunding platforms? Evidence from Patreon. Journal of Business Venturing Insights, 16, e00264.

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(2021). Public acceptance of carbon taxes in Australia. Energy Economics, 101, 105420.

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(2021). When does managerial experience matter? Evidence from Major League Baseball. Applied Economics, 53(51), 5877-5882.

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(2021). Super-sizing renewable energy investment: Examining the portfolio preferences of superannuation fund members. Economic Record, 97(317), 267-284.

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(2021). Does a cool head beat a hot hand? Evidence from professional golf. Economic Modelling, 97, 272-284.

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(2019). More than economics: cultural value and the Australian book industry. Publishing and culture. Eds. Dallas John Baker, Donna Lee Brien and Jen Webb.

(2019). Experimental evidence on demand for “on-demand” entertainment. Journal of Economic Behavior and Organization, 161, 98-113.

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(2019). Sentiment and bias in performance evaluation by impartial arbitrators. Economic Modelling, 76, 128-134.

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(2018). Social media followers as music fans: Analysis of a music poll event. Economics letters, 168, 85-89.

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